Dr. Catherine Romagnolo’s article “At the Crossroads of Form and Ideology: Disidentification in Claudia Rankine’s Citizen” was published as the first chapter of Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form, edited by Jean Wyatt and Sheldon George. Romagnolo, professor of English, along with authors from Canada, United Kingdom, and the U.S., is featured in the volume printed by Routledge Press.

Dr. Barbara McNulty, director of the Suzanne H. Arnold Art Gallery and assistant professor of art history, and Dr. Cathy Romagnolo, professor of English, were interviewed for Capturing Courage: LVC exhibit documents the terror, the bravery of the civil rights movement, which was published in the February issue of The Burg. The article noted McNulty’s role in the gallery exhibition of internationally noted photographer Danny Lyon’s historic work on the early Civil Rights movement, which runs through March 22. Romagnolo was interviewed regarding the Gallery dialogue she led on Lyon’s photography during the College’s annual Symposium on Inclusive Excellence.

Dr. Catherine Romagnolo’s “(Un)Natural Connections: Feminist Experimentation and Unnatural Narration in Nights at the Circus” was published as the opening chapter of Unnatural Narratology: Extensions, Revisions, and Challenges. Romagnolo, professor of English, contributed the chapter to the book edited by Jan Alber and Brian Richardson, and printed by the Ohio State University Press as part of its “Theory and Interpretation of Narrative Series.”

Dr. Cathy Romagnolo’s essay, “Narrative Disidentification: Beginnings in Toni Morrison’s Song of Solomon,” was published as the third chapter in a recent collection published by The Ohio State University Press. Dr. Romagnolo, chair and professor of English, had her work published in Narrative, Race, and Ethnicity in the United States, which was edited by James J. Donahue, Jennifer Ann Ho, and Shaun Morgan.