“It’s only a fish”: Review of James Wu’s “The Queen of Central Park” […] Posted on February 10, 2024February 11, 2024 by greenblotter Continue reading
Discovering Ruta Sepetys’ Techniques of Combining History and Fiction in I Must Betray You […] Posted on July 22, 2023July 22, 2023 by greenblotter Continue reading
A Love Affair with Pop Culture: Review of Amorak Huey’s Boom Box […] Posted on June 2, 2023June 1, 2023 by greenblotter Continue reading
Cruel Realities: Racism through Lyric in Dior J. Stephens’s Cruel/Cruel […] Posted on May 7, 2023May 7, 2023 by greenblotter Continue reading
“As if sitting the wrong way on a departing train”: Review of Amanda Gunn’s “Happy and Well” […] Posted on April 8, 2023June 1, 2023 by greenblotter Continue reading
“A hinterland for suburban stupefied tramps”: Review of Rick White’s “The Hand” (Gone Lawn) […] Posted on March 12, 2023March 12, 2023 by greenblotter Continue reading
How to Write a Cover Letter for a Litmag Submission […] Posted on February 10, 2023February 18, 2023 by greenblotter Continue reading
Archiving Horror: Valancourt’s Magic Mixture […] Posted on December 16, 2022December 16, 2022 by greenblotter Continue reading
Review of Unstamatic’s Unconditional* Acceptance Issue […] Posted on December 4, 2022December 4, 2022 by greenblotter Continue reading
“magic, but not magical”: review of Sacha Bissonnette’s “The Magician” […] Posted on November 18, 2022November 18, 2022 by greenblotter Continue reading